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How to brief an agency on your brand without wasting six months

Written by Shaun Hogg | Sep 15, 2026, 10:15:00 AM

Most brand projects that disappoint do so before the agency has produced a single piece of work. The brief that starts the engagement carries assumptions that haven't been examined, objectives that haven't been defined, and a set of expectations on the client side that the agency doesn't know it's being measured against. The agency does what it's been asked to do. The client receives something that's technically competent and fundamentally unsatisfying. Both parties spend the back half of the project trying to work out what went wrong.

What went wrong was the brief.

The most expensive thing a firm can bring to an agency relationship is vagueness. Not vagueness about timelines or budgets, though those matter, but vagueness about the strategic questions the brand needs to answer. What does the firm actually stand for? Who is it genuinely built to serve? What makes it the right choice for those clients rather than the alternatives they're considering? What does the firm want to be true about how it's perceived in three years that isn't true today? These questions feel difficult to answer before the agency engagement starts. They're far more difficult and expensive to answer during it, when the meter is running and the creative work is already in motion.

The first thing to know before briefing an agency is what problem the brand needs to solve. Not in general terms, not "we need to look more professional" or "our brand has fallen behind," but specifically. Where is the gap between how the firm is perceived and how it actually performs? In which situations is the brand creating friction? What is it costing the business, and in what form does that cost show up? An agency that understands the specific commercial problem the brand needs to address can build toward solving it. One briefed to "refresh the look and feel" is building toward an aesthetic outcome that may or may not connect to anything that matters.

The second is to have a clear sense of the audience. Not a demographic description, but a genuine understanding of how the target client thinks, what they're trying to solve, what signals of credibility they respond to and what gives them the confidence to make contact with a firm they don't yet know. Brand decisions made without this understanding default to what the leadership team finds appealing rather than what the target client finds compelling. Those two things are often different in ways that matter.

The third is to know what makes the firm genuinely different. Not the values every competitor shares. Not the service attributes that are table stakes for anyone operating at this level. The specific thing, or combination of things, that makes this firm the right choice for a particular kind of client in a way that a competitor couldn't honestly claim. If that differentiation hasn't been identified before the agency conversation starts, the brand project will spend its first phase doing the strategic work that should have preceded the brief. That's not wasted time, but it's time and money that the client usually hasn't budgeted for and often resents paying.

The fourth is clarity about what success looks like. Not "we'll know it when we see it," which is the most expensive phrase in any creative brief. Specific, observable outcomes. The kind of prospect we want to be attracting. The fee conversations we want to be having. The competitive situations we want to be entering with more confidence. Measurable where possible, directional where not. An agency that knows what it's being asked to achieve can make decisions with that outcome in mind. One working without that clarity makes decisions based on craft and instinct, which produces good work that may or may not solve the actual problem.

The fifth is honesty about what isn't working and why. The instinct in a new agency relationship is to present the firm at its best, to lead with strengths and manage the weaknesses. That instinct produces a brand that flatters rather than challenges. The agencies that produce transformative work are the ones that have been given an accurate picture of where the firm is, not just an aspirational picture of where it wants to be.

A good brief doesn't constrain the agency. It gives them what they need to do their best work rather than their most generic work.

Before briefing anyone, take the Growth Gap Assessment. It's built to give you the strategic clarity that makes a brief worth writing, covering where the brand is underperforming and why. It's free and takes around 20 minutes.

If you'd rather just talk it through, we're easy to reach at hello@vove.agency